Absence/Presence of Durham's Black History

Exploring the legacies of Enslavement, Colonialism and Mining

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The project is thankful for the collaboration with Durham Cathedral and received funding from Durham University's Institute of Advanced Study (IAS), Faculty of Social Sciences Decolonial Internship fund, Research Impact Fund (RIF), Equality, Diversity and Inclusion (EDI) Fund.

The audio recordings have been supported by music from Uppbeat and features the song Fireflies by Ambient Boy • Uppbeat. The project is hugely indebted to our Research Assistant Avarna Ojha who among various other things tirelessly put the website together in collaboration with HUMAP. Anthropology decolonial Interns Judith Akoto, Alex Bovaird and Hannah Larkin were also pivotal in audio recording the entries. Colleagues in HUMAP were also helpful with their suggestions.

We gratefully acknowledge the contributions, feedback and comments from innumerable staff (academic and professional), students and colleagues from across and beyond Durham University. The project owes its legacy to these multiple collaborations and support. Thank you to all of you.

Above all, this project owes its inspiration from the lifetime research of the late community historian Sean Creighton (17 July 1947-15 May 2024) who worked extensively on the histories of Black British communities, enslavement and abolition in the North-East. 

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Content contributed to Absence Presence of Durham’s Black History is under a Creative Commons Attribution 4.0 (CC BY 4.0) license.

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